Tuesday, September 13, 2011

An Analysis of "One Flew Over The Cuckoo's Nest". (Stories and Creative Leadership)



In the movie “One Flew Over the Cuckoo’s Nest”, the protagonist Randle McMurphy demonstrates the example of leader who is doomed to failure because he is unable to successfully balance the needs of his group, and the requirements of the authority to maintain the functional order of an establishment of power. This type of leader is usually doomed to follow some kind of internal path. He passes through the lives of others, and whether this is manifested externally or not, this character produces profound and lasting changes within them that they had, often times unknowingly, and more sadly, not known that they had wanted until this character passed through their lives.                       

 In the Oregon of the 1960’s, the protagonist of the movie, “One Flew Over the Cuckoo’s Nest”, is Randle Patrick McMurphy, played in the film by Jack Nicholson. He is an incorrigible criminal serving a prison sentence for the rape of an underage girl who he says misrepresented her age to him. While in prison he has himself transferred to a mental hospital for evaluation to avoid the hardships of state prison, and to enjoy a less hostile environment. Upon his arrival he shows no signs of severe mental illness, only an attitude of anti-establishment. McMurphy is an antihero, only able to play by his own internal rules, rather than adjusting himself to the needs of both the group and the establishment.     

 They ward of the hospital that McMurphy is sent to is overseen by a stern and unyielding Nurse Mildred Ratched played in the movie by Louise Fletcher. She becomes the story’s villain and main antagonist to McMurphy, yet she is a hero in her own way for trying to maintain order the only way she knows how. She embodies the establishment and uses her power to strictly control every action of the men. As much as the men may be uncomfortable with her form of authority, they still obey her despite their discomfort. The leadership tactics that nurse Ratched uses to maintain control over the patients are: forms of humiliation, painful medical procedures, medication, and a daily routine that reduces outside stimulus as much as possible.                                               

 McMurphy soon realizes that the patients are more intimidated by Nurse Ratched than becoming rehabilitated enough to return to society. McMurphy in his incorrigible boldness takes it upon himself to become the leader of the group of patients. It is his compulsive need to raise himself to a position of power and advantage, no matter where he goes, or what authority he faces. The pattern that McMurphy demonstrates in his leadership role is one of rebelliousness and a tendency toward anarchism no matter the cost to himself or to those who he tries to enlist to follow him.                                      

 The other patients of the ward include Billy Bibbit played by Brad Dourif. He is a young man with a nervous stutter, easily intimidated by the authority of Nurse Ratched. Another character Charlie Cheswick, played by Sydney Lassick, is an emotionally immature man who throws temper tantrums like a child. Martini played by Danny DeVito, suffers from delusions. Dale Harding played by William Redfield, suffers from paranoia, and is also overly sensitive, and is highly intelligent. Taber played by Christopher Lloyd, is hostile and irreverent. These characters never become true allies of McMurphy, they only serve to follow him as much as their fears allow.

 "Chief" Bromden, played by Will Sampson, is the narrator of the film and the only person in the story that completely changes within the story. Chief is a large American Indian who pretends to be a deaf mute to avoid attention. This last character becomes McMurphy’s only true ally, choosing to follow him unlike the others who never truly overcome their fear of the establishment despite their feeble attempts to rail against it.

 McMurphy is initially disgusted by Chief’s seeming lack of ability to communicate normally. He uses Chief for his height advantage during a game of basketball between the patients and the orderlies. McMurphy is able to get the other patients to work as group, rather than the confused and timid individuals they have become during their stay in the institution.                                                                                

 McMurphy's and Nurse Ratched recognize the threat that each one poses to the other and begin a competition to gain control of the group. In one battle of power McMurphy successfully manipulates card games to win the cigarettes of the other players. Nurse Ratched upon seeing this takes them away and gives the cigarettes back to the men. McMurphy uses the opportunity to challenge her authority by calling for a democratic vote, hoping to take some of Nurse Ratched’s power away from her, and transfer some of this power back to the group. When this tactic fails him, McMurphy decides that escaping the institution would be the only solution to getting out from under Nurse Ratched’s authority.

He tries to get the group excited with the idea of escape by trying to lift and remove a hydrotherapy fixture to throw it through the window. It proves to be too large and too heavy for him to lift and he gives up after several tries. He tells the group, “I tried goddammit. At least I did that”. The messages that he is trying to get across to them is, if you are not happy with your circumstances you are in, then you have to make attempts to escape them using whatever methods you can employ where you are at.                         

 In later scene McMurphy hijacks a hospital bus and coerces the other passive patients to board the bus. He goes to pick up a girlfriend of his, Candy played by Marya Small. They arrive at a dock and he steals a boat to take the group out to sea. He says to them, "You're not nuts, you're fishermen!" to awaken within them feelings of empowerment and power they didn’t know they had.                                            

After they are returned to the ward McMurphy finds out that because of his actions he could become committed for as long as the institution deems necessary. After the fishing incident Nurse Ratched decide that she must quell any other attempts at insurrection. In one of the group sessions Cheswick can not control himself and this leads to a brawl with the orderlies. For punishment Cheswick, McMurphy, and Chief are taken to be given electroconvulsive therapy. While McMurphy and Chief wait while Cheswick is taken first, McMurphy offers Chief some gum. Chief mumbles "Thank you" to a startled McMurphy. McMurphy is astonished to realize that Chief faking his status as a deaf mute to avoid attention. After his electroshock treatment, McMurphy stumbles into the ward trying to feign a stupor. When he believes he has the other patients believing his performance, he then changes back to his old self to make a mockery of the intended punishment. He tries to get the other patients to believe the electroshock treatment only filled him with energy and that the next woman he meets will "light up like a pinball machine and pay off in silver dollars." McMurphy tries to inspire the group by showing them that the electroshock therapy is not a potent punishment, and that they do not have to fear it.                                
As the test of wills with Ratched is losing its enjoyability, and his date of release no longer certain, McMurphy plans another attempt at escaping. McMurphy calls Candy to bring along a friend by the name of Rose played by Louisa Moritz. Candy is instructed to bring her friend and some alcohol to the hospital late one evening. The women enter through a window after McMurphy successfully bribes one of the orderlies, a Mr. Turkle played in the film by Scatman Crothers. McMurphy and Candy wake the patients to initiate a party. During the party the inebriated and stimulated group break into the drug cabinet, play loud music, and go on a spree of destruction. A few hours later, the Chief and McMurphy intend to go escape through the window with the women. As McMurphy is saying goodbye to the patients, he offers to Billy the opportunity to go with them. Billy refuses, unable to accept a world beyond the ward he has become accustomed to, despite his interest in dating Candy. Trying to get Billy over his fear of women, McMurphy persuades Candy to offer Billy the chance to have sex. Billy and Candy go into a private room where they can be alone, while McMurphy continues to entertain the other patients. The effects of the drugs and the alcohol take a toll on the men and despite their plan to escape, everyone falls into a medicated sleep.                                           

When Nurse Ratched arrives the following morning she comes upon a scene of destruction and unconscious patients. She directs the open window to be relocked, the ward cleaned up and put back into order, and to make sure that none of the patients escaped. During a search of the ward, Billy and Candy are discovered in one of the rooms, naked and asleep. Having lost his virginity Billy can now speak without a stutter. Nurse Ratched warns Billy that she will tell his mother about his behavior. When Billy tries to get Nurse Ratched to avoid telling his mother about the incident, she calmly tells him that she and his mother are good friends and cannot avoid telling her due to their relationship. Billy panics and tells Nurse Ratched that McMurphy forced him to have sex in a desperate attempt to get Nurse Ratched not to notify his mother. Realizing that his ploy didn’t work, Billy panics and regresses to his stuttering state. Alone in a doctor’s office with the unbearable fear of his mother’s discovery of his behavior, he slits his throat with a piece of broken glass. McMurphy attacks Nurse Ratched in a fit of rage, nearly choking her to death until an orderly comes to her rescue.                                                   

With McMurphy removed from the ward, the other patients resume their daily activities with Harding assuming McMurphy’s leadership role, but much more sedately. Nurse Ratched, now wearing a neck brace from McMurphy’s attack, still oversees the group despite being almost unable to talk. The rumor in the ward is that McMurphy was successfully able to escape rather than suffering some terrible punishment.                  

Later that evening, the Chief witnesses McMurphy being put into his bed by two orderlies. When the orderlies leave, the Chief goes over to McMurphy believing he was still his former self, and they can now reinitiate their plan to escape. The Chief is now emboldened and believes himself to no longer be small, but "as big as a mountain". The Chief quickly realizes that McMurphy has been lobotomized, and will never be anything more than a vegetable. Unable to see McMurphy in this way, and knowing the he is no longer truly alive, the Chief smothers McMurphy to death with a pillow. The Chief then goes to the hydrotherapy room to remove the plumbing fixture that McMurphy was unable to do himself. Bromden then carries it across the ward to throw it out the window of his prison, climbs through the hole that he made in its facade, and escapes into a life of renewed possibilities.                                                                                                  

The character of Randle McMurphy demonstrates a leader who is unable to change. He is unable to modify himself to the group and the establishment. He does not understand how others cannot be as bold and as daring as he is. Because of this fact he is a doomed character. The only thing that he was successful at was awakening the idea of possibilities in others, and inspiring Chief Bromden to escape his prison of fear and insecurity. His example gives the Chief the chance to live a new life of boldness and new strength fed by an awakened sense of self confidence. Chief Bromden is the true hero of the film, finally awakening from his fog of fear and delusions at the end, now ready to answer the call to adventure that life demands from every single one of us.

Works Cited:
One Flew Over the Cuckoo's Nest. Dir. Milos Forman. Screenplay by Lawrence Hauben and Bo Goldman. By Ken Kesey. Perf. Jack Nicholson. 1975.

Vogler, Christopher. The Writer's Journey: Mythic Structure for Writers. Studio City, CA:
Michael Wiese Productions, 2007. Print.

McLellan, Hilary. Story Structures: The Hero's Journey.

Sunday, September 11, 2011

The Triple Revolutions: Social Sources of Family Change. (Families and Society)

The Triple Revolutions: Social Sources of Family Change.

The revolution of the postindustrial family is characterized by the creation of the new types of jobs that are suitable for a woman, unlike the hard physical labor of factory work that had been the sole domain of men. These new types of jobs, like those of the service and information sector, are less physically demanding and allow women to pursue a career in them. The previous paradigm of the man as the sole breadwinner was changed by this new development. Women were no longer dependant on a man for her existence and a slave to an unhappy marriage.
But this development in the postindustrial society produced some negative effects as well. It shifted the pattern of the male driven and dominated work force that had been in existence and well established for many centuries. This new economy is shedding jobs that had sustained and maintained a family structure that had been solid and stable for many generations. As more jobs become available and more women are introduced to the workforce, people became more disposable. Wages are reduced when there is no longer a need for jobs that require workers of a higher degree of skill and experience. Jobs that have been a strong and reliable source of sustenance for families are quickly receding. Many jobs are quickly replacing workers with robots and assembly line techniques.
One side effect of this development of our new economy is making the passage into maturity much more difficult for children. Children no longer make a smooth and easy transition into adulthood which was common during the postwar years. The common path of young adults easily finding good paying jobs, marrying young and raising families is no longer as easily traversable. This new economy makes finding a good paying, sustainable job without a college degree almost impossible. The need for a college degree and its accompanying expense now impedes marriage until later in life than previous generations.
The new economy which practically demands a college degree to get a good paying job relegates many people to low paying, dead end jobs. This has resulted in a society of hopelessness and misery toward their future and their limited options. This has also resulted in children being much more dependent on living with their families much later than previous generations and results in much stress and anxiety for both parties.
The life course revolution is the increasing of life expectancy due to the improvement of medical techniques and knowledge. This makes the specter of death less looming than it was in previous generations. People can live longer lives without fear of death that had been so prevalent and common for previous generations. Women no longer have to have so many children to ensure the survival of a few, and can live without maternal responsibilities for a much longer amount of time.  
This revolution also allows for a much longer length of marriage and number of years without children living at home. This results in more time for both the husband and wife in the marriage to pursue their own interests. Marriage has become less of a union in the sole purpose of raising children than it’s trend toward being an opportunity for two individuals to build a life to enjoy together.
The third and last revolution of the triple revolution is known as the psychological revolution. It is also known as the “psychological gentrification” for being the revolution that extends cultural advantages to lower socioeconomic classes that had previously only been available to the upper classes. Some examples of these cultural advantages are the availability of higher education, increased leisure time, the ability to travel, a greater access to information, and a rise in the standard of living. Despite the continuance of poverty and economic instability of the industrialized world, people still remain above the level of just making enough money to survive.
This revolution has resulted in a society that is becoming ever more complex and discrete.  People are becoming more introspective and yearn toward more depth and intimacy in their personal relationships. Some positive consequences of this revolution are attitudes toward more equality in a marriage, a more democratic set of family values, and more tolerant and compassionate attitude toward others.
These developments have brought many advantages and just as many disadvantages. The relationships between family members have become more fragile yet more emotionally profound. A longer life brings more opportunities and choices, but also increased competition for a limited number of jobs and resources. While women have greater opportunities than in the past they also have to shoulder a persistent inequality between the genders.
Despite the changes of our modern society the family still remains an important institution. Despite the fragility of the institution of marriage, the relationship between parent and child maintains its strength across the course of both parties’ lifetimes. This could be as much a curse as much as a blessing when children remain in the home much longer than is healthy for both children and parents.  
Unlike the rest of the world, the United States has fallen behind the developments toward a more compassionate and open attitude toward the positive effects of these changes in our society. Unlike the rest of the world, the United States has remained entrenched in fear toward these developments and resisted anything that appears to go against the traditional view of the family.
            The problem with the postindustrial revolution is that women no longer remain in the home to raise and nurture children. Parents are no longer the sole role models. The child is now put into day care, goes on to school, and then goes to the babysitter until the parents get out of work. This removes the child from the presence of the mother and puts the child into strange environments at a much earlier age than previous generations. The sole influence on the child used to be only the parents before they went off to school, and then the mother would be waiting for the child when they came home. The bond between mother and child during the formative years is now shared by the addition of several non-related people. Women come home from work and are too tired to become fully involved in the child’s life. Children are both helped and hindered by these additional influences. The mother becomes less of a figure in the child’s life, equaled to other people, her influence possibly lessened by the influence the child gets from other environments. The child also spends more of its time with adults other than the parents, and also their peers. Parents also work more hours to make more money for a quality of life that is much less than previous generations.
The life course revolution has also had a significant impact on our society. As people realize that they will live longer, the desire for comfort and the accumulation of things becomes more important over quality time shared with family. This has resulted in the rise of our consumer culture, of wanting ever more and more things. Many people become obsessed with giving their children all the toys and gifts that is supposed to somehow increase the fleeting happiness of their children. This results in teaching children that the accumulation of things equals happiness. As people live longer the desire for filling their lives with possessions overtakes the appreciation for just being alive.
The psychological revolution has had more beneficial effects than the other two. We live in a society that is becoming ever more enlightened and ready for change. We are living in a time where people are becoming more tolerant and compassionate towards others.  


Works Cited:

Skolnick, Arlene S., and Jerome H. Skolnick. Family in Transition 14th ed. Boston, MA: Pearson/Allyn and Bacon, 2007. Print.